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Gqeberha, Eastern Cape, South Africa

Saturday, August 1, 2026

My kinderboek 'Skitterdinge en Skoeloeloe'

Waaroor gaan my boek 'Skitterdinge en Skoeloeloe'?
Zandi Kauapirura los alles wat sy ken in Windhoek en trek saam met haar ma na Suid-Afrika, 'n nuwe land, 'n nuwe dorp en 'n skool waar sy niemand ken nie. By Laerskool Bloemendal lag party kinders vir haar Herero-vlegels en haar "snaakse" Afrikaans, en die groot hekke voel vir haar soos tronkdeure.
Maar Zandi dra 'n koperarmband van Ouma Kovii, en saam daarmee die woorde ‘stories het mag’. Met die hulp van nuwe maats, Ayanda en Tommie, ontdek sy dat haar stories brûe kan bou waar mure gestaan het. Van Herero-erfstukke, stories en woestynsand tot Zoeloe-krale en Karoo-kristalle: elke kind bring sy eie skitterding skool toe.
'n Warm, kleurvolle storie oor identiteit en anders wees, oor trots op jou wortels en komvandaan, en ook oor die moed om jouself te wees wanneer 'n boelie jou wil verkleineer. Want dis juis ons verskillende kleure, kulture en stories wat die wêreld laat skitter, en 'n lekker skoeloeloe skoppery bring almal saam!

My boek is geskik vir Graad 4 Huistaal / Graad 5 Eerste Addisionele Taal, met gratis aflaaibare memorandum vir vrae wat agterin die boek verskyn.
Navrae hdeclercq@jbp.co.za of hviljoen@jbp.co.za https://www.nb.co.za/en/view-book/?id=9781776073207



Kreatiewe Beserings

Kreatiewe Beserings – Selwyn Milborrow

Ek dra al dekades lank die littekens van ’n kreatiewe besering. As ’n bruin seun in die laat tagtigs, midde-in apartheid, het ek op hoërskool geleer dat woorde wapens kan wees; hulle vorm persepsies, bou verhoudings, inspireer, breek af, en maak seer.

Op sestienjarige ouderdom het ek ’n opstel geskryf - ’n storie geïnspireer deur die boeke wat my wêreld was. Ek het die woorde soos bakstene gerangskik, elkeen met mekaar gebalanseer. Maar toe ek my opstel indien, het die onderwyser dit met rooi ink gemerk: “swak, verbeeldingloos!” Hy het nie eers my naam onthou nie. Net toe ek daarvan wou vergeet, het die voorligtingsonderwyser maande later my droom om skrywer te word uitgelag. Hy het almal in die klas gevra om beurtelings op te staan en ons toekomsdrome te deel. Sy aansteeklike lag vir my onmoontlike toekomsdroom het my klasmaats saam laat uitbars van die lag. Ek moes leer: my woorde is belaglik. My stem en my taal is bruin, onwaardig en dom. Terloops, die onderwysers was almal ook bruin! Dit het iets in my binneste seergemaak, geskroei, en beskadig.

Dit gaan natuurlik ook oor ‘emotional inheritance’. Die dinge wat ons onderwysers, ouers na ons toe oorgedra het. Die traumas waarvoor ons nooit gevra het nie, die respek en aanvaarding wat ons nooit ontvang het nie. My bruin Afrikaans by die huis het helsbreed verskil van die wit Afrikaans in die klaskamer. My ouers het my herinner om mooi Afrikaans te praat soos ek op skool leer. So, dit strek verder terug as net ‘n ervaring met ’n onderwyser of professor. My ouers, familie, kindervriende was karweiers van daardie ‘emotional inheritance’. Ons moet ons hele lewe konfronteer. Die kollektiewe geheue is kragtig!

Jare later het ek ’n naam daarvoor gevind: kreatiewe besering. Dit is in ’n brief wat Suleika Jaouad oor haar kreatiewe besering met lesers gedeel het. Sy het beskryf hoe kinders se verwondering deur volwassenheid vernietig word. Haar woorde het my diep getref, maar ook lig en verligting gebring. Dit was presies wat ek jare gelede ervaar het. Ek wou vir jare nie daardie vernedering op hoërskool met mense deel nie. Elke keer as ek ’n nuwe stuk wou begin, het ’n stem gefluister: "Hou dit vir jouself. Blootstelling beteken pyn."  


Soms moet die storms van die lewe eers oor ons spoel voordat ons werklik waardeer wat ons het - die gewone wonderwerke wat ons daagliks omring maar selde raaksien. Dit was die geval met my ma en die slrywer, Annelie Botes. Albei was wonderwerke in my daaglikse lewe. Ek kon hierdie twee reuse nie miskyk nie. My ma was ’n vrou wat ’n bobaas storieverteller was. Sy het my geleer om te skryf sonder vrees, om die vreugde van ’n storie te vier. Die skrywer, Annelie Botes het ook my talent as ’n storieverteller raakgesien. Ek het my woorde weggesteek totdat sy in my lewe verskyn het. Sy, my “wit antie,” was nie familie nie, maar het my raakgesien in ’n tyd toe ek myself onsigbaar gehou het. Sy was ’n skrywer met ’n reputasie, ’n vrou wat my hand gevat het en gesê het: “Kom, ons gaan jou storie opteken.” Sy het my figuurlik aan die “pen” gevat. Sy het my uit ’n donkerte gelei waar ek vir jare lank vasgekeer was. “Jy het ’n stem, Selwyntjie!” het sy gesê. “Moenie toelaat dat hulle jou skaam laat voel daarvoor nie.”

Met elke digbundel en boek herwin ek ’n stukkie van die kind wat kreatiewe beserings opgedoen het, wat geweet het: skepping is ’n daad van rebellie. My ma en my wit antie het seker gemaak dat ek dit onthou.

Jaouad is reg: kreatiwiteit en verwondering vergaan nooit heltemal nie. Hulle lê begrawe onder die littekens - geduldig, wag om opgegrawe te word. Tussen die kloof van pyn skemer die lig van heelwording. En so, met elke letter wat ek neerpen, eis ek iets terug: nie net vir die man en skrywer wat ek nou is nie, maar vir daardie seun wat geglo het sy stem tel nie.

Dan is daar ook die ironie! Dat dit ’n wit vrou was wat my aan die hand - of my pen - gevat het in hierdie heelwording van my kreatiewe beserings. Sy, wat self geen littekens van my stryd gedra het nie, het ’n persoonlike en kulturele brug geword. Dis dalk die grootste wonder van alles: dat genesing soms uit onverwagte oorde kom, en dat selfs in die skadu van onreg, die mensdom sy menslikheid en medemenslikheid kan wys.


Monday, July 20, 2026

My kinderboek Skitterdinge en Skoeloeloe: van Windhoek se rakke tot in Suid-Afrikaanse harte

 📚 Van Windhoek se rakke tot in Suid-Afrikaanse harte

Dit maak my hart vol om my boek Skitterdinge en Skoeloeloe op 'n boekrak in Namibië te sien staan. Die storie begin juis hier, in Windhoek, en beweeg dan saam met die hoofkarakter, Zandi, na Suid-Afrika toe.


Zandi is 'n jong Namibiese meisie wat saam met haar ma van Windhoek na Suid-Afrika verhuis. Sy worstel met vrae en angs: Hoe sal haar nuwe lewe lyk? Sal haar nuwe skool, omgewing en maats haar aanvaar? Sy twyfel aan haar identiteit en haar unieke Afrikaanse aksent, en wonder of dit haar dalk 'n buitestaander gaan maak. Haar ouma probeer haar gerusstel, maar diep binne bly die vrees vir wat voorlê.

Die boek raak temas aan waarmee leerders in graad 4 en 5 hulself maklik kan vereenselwig: stereotipering, identiteit, kultuur, boeliegedrag en die vrees vir verandering. Ek het die stories met begrip en deernis geskryf, sodat jong lesers oor empatie, aanvaarding en selfvertroue kan nadink.

Skitterdinge en Skoeloeloe is nie net 'n mooi storie nie. Dit is 'n leerervaring wat jong lesers aanmoedig om verskille te aanvaar en verandering te omhels.



#SkitterdingeEnSkoeloeloe #Afrikaans #Kinderboeke #Windhoek #Namibië #SuidAfrika #Graad4 #Graad5 #Lees #JonathanBallPublishers






Friday, July 18, 2025

Ons boek aan personeel en studente van Michigan State University by Nelson Mandela Universiteit oorhandig

Ons boek, ‘Madiba se Aanhalings en Staaltjies,’ ondersoek 27 kern-aanhalings van Nelson Mandela. Daar word ‘n verbintenis getrek tussen elke aanhaling en sy 27 jaar van gevangenskap, asook sy lewe daarna. Deur ons gesamentlike poësie en persoonlike kommentaar bied Bevan en ek ‘n dieper begrip van hierdie diepgaande uitsprake van Madiba.


Kopieë van ons boek, ‘Madiba's Quotes & Anecdotes’ is onlangs aan besoekende personeel en studente van Michigan State University by Nelson Mandela Universiteit oorhandig.







Friday, April 25, 2025

My Master's Degree honouring poet, Clinton V. du Plessis

I recently celebrated the conferral of my Master of Arts degree in Afrikaans and Dutch at Nelson Mandela University's Autumn Graduation 25. My thesis, titled "Themes and trends in the poetry of Clinton V. du Plessis," offers the first in-depth academic study of Du Plessis’s extensive body of work. Spanning over four decades, his poetry has long remained on the periphery of scholarly attention - until now.

Du Plessis, an acclaimed poet whose work has historically occupied a position on the periphery of the Afrikaans literary canon, was present for the awarding of my degree. I had the honour of presenting Du Plessis with a bound copy of my completed thesis - symbolising the convergence of primary creative work and critical scholarship.


My research makes a substantial contribution to the field of contemporary Afrikaans literary studies through its systematic identification and analysis of dominant thematic concerns and stylistic characteristics in Du Plessis's poetry. The study particularly focuses on the representation of marginalized figures, racial discourse, working-class experiences, distinctive language usage, concepts of transience, and intertextual relationships - elements that have defined Du Plessis's unique literary voice.

The scholarly significance of my research extends beyond the completion of degree requirements, addressing a notable lacuna in the critical examination of poets on the fringes of the literary canon. By methodically investigating an important yet previously under-researched corpus of work, my thesis enhances our understanding of the sociocultural dimensions of contemporary Afrikaans poetry.

I am profoundly grateful to my supervisor, Professor Marius Crous, whose intellectual mentorship and exceptional guidance were instrumental throughout my research process. I also wish to express my appreciation to my co-supervisor, Dr. Stefan van Zyl, for providing rigorous feedback and constructive criticism that facilitated both my scholarly advancement and personal intellectual development during this research journey.

I extend my heartfelt thanks to Clinton V. du Plessis for his generosity in granting me access to his work and for his gracious support throughout my research. His poetry continues to challenge, move, and inspire - and it was an honour to engage with it so closely.


Monday, January 15, 2024

My childhood days during the Christmas season on my grandparents' farm in Alexandria

 Whenever I hear a song or experience the smell of farm food, it feels like I’m being transported back to my childhood days on a farmhouse in Alexandria. All my cherished memories are entwined in every fibre of my grandparents’ farm, Little Barnet. It is where my mom grew up. It’s just amazing how specific experiences have the power to shape us for a lifetime. As I take a moment to reflect on my childhood, I find myself transported back to the late 1970s, when life moved at a slow pace. I remember being surrounded by the beauty of nature and the idyllic Eastern Cape countryside.

My mom loved sharing stories of how all the children had to do chores. She and her brother Andrew were tasked with morning chores: The rooster's crow at the crack of dawn, signalled the start of a new day on the farm. They made their way to the barn, where the cows eagerly awaited their morning milking. Winter mornings were challenging, but that was life on the farm.

In the heart of Little Barnet Farm, where time seemed to weave itself into the very fabric of the farm, the Christmas holidays were more than a season; it was a living, breathing family fairytale. The Christmas holidays unfolded like a cherished story passed down through generations. The Alexandria exodus to Jan and Annie Wentzel’s farm brought together generations of Wentzels, Marees, Milborrows, Camfers and Oosthuizens; a symphony of laughter, and the warmth of family embracing the farm’s landscape. Memories etched in time, a tapestry of moments woven by cousins, uncles, and aunts, their youthful spirits dancing through the fields.

 The great migration to Alexandria to embrace the haven of Jan and Annie Wentzel's farm orchestrated a magnificent reunion of the Wentzel, Maree, Milborrow, Camfer, Oosthuizen, Jacobs clans. Together, we formed a harmonious symphony, a rich tapestry of shared laughter and familial warmth, woven into the majestic fabric of the farm's landscape. Time stood still as memories were etched into the soul of our collective existence, a vibrant canvas painted by the spirited dance of children through the sun-kissed fields.

Cousins, whose names resonated like a melodious hymn - Donald, Neil, Crystal, Chantel, Sharon, Mercia, Heather, Derrick, Peter, Pascoe, Rodwell, Marius, Edgar, Gravin, Selwyn, and Cre - darted gracefully through the grass. We, the painters of joy, let our carefree spirits waltz through the landscape, leaving behind strokes of vibrant and playful hues. The rustling leaves above conducted a soothing melody, guiding us through a labyrinth of hidden wonders. Secret spots emerged, forts made from fallen branches, and the cows' grazing ground transformed into an expansive playground for our boundless imaginations.

Under the shade of lemon and apple trees, we sought refuge from the scorching sun. The cows and sheep, unwitting participants in our youthful antics, bore witness to the laughter of boys chasing tadpoles in animal water holes and catching frogs hiding behind stones. Grandpa's horse, Whiskey, stood as a silent sentinel, enduring a cascade of stones as tokens of our mischievous play. The occasional hiding from Grandpa's loving yet stern hand became threads seamlessly woven into the canvas of our innocence.

Aunty Margie and Ma Eva regaled us with tales that carried the weight of shared history, tickling our funny bones. Sharon, Mercia, and a tiny Heather indulged in feasts that left bellies aching but hearts yearning for more. Natasha, Clinton, Keith, and Clyde navigated the intricate dance of hide-and-seek, their father's scolding first met with fear and later with peals of laughter that resonated across the farm.

Each morning greeted us with the gentle rise of the Eastern Cape sun and the crowing of cockerels, signaling the beginning of another beautiful day. With excitement bubbling in our steps, we ventured outside, eager to greet cousins and embark on amazing adventures on the farm. We played until it became dark, just in time for supper. There were no fears for the safety of the children. It was a safe world back then. The farm, a sanctuary of shared history and enduring love, became the canvas on which our stories were painted, a masterpiece woven with threads of laughter, mischief, and the unbreakable bonds of family. Fruit plucked from trees, pure cow milk, hearty meals, and candies like lekker-smekka became sweet memories, laying the foundation of our shared past.

Lunches seasoned with spices and herbs from Grandma's herb garden formed a culinary mosaic, speaking the language of love with every bite. Simple pleasures, like coffee, eggs, and buttered toast, became cherished rituals. Picnics, a timeless tradition, still held sway on the farm, with Grandpa reclining under his tree, relishing the shade and watching the joyful spectacle of his grandchildren playing.

The farm echoed with the laughter of generations, and the kitchen became a sanctuary of heavenly flavours. Another highlight was visits to Galiema and Koos, whose food became a sought-after delicacy in the tapestry of the holidays. Walks through the woods, close calls with snakes, harmonious melodies, Sunday church hymns, and stories in the lounge painted a tapestry of timeless memories.

All good things come to an end. My dad used to utter those words that a child don't want to hear. It was the case on the farm when we entered the last day of the year. Now, as Aunty Margie, Aunty Suzie joined aunty Mimmie, and her sister Eva in the celestial tapestry, I can't help but envision the festive gatherings that must be taking place in Heaven. Ma Eva, mother, grandmother, great-grandmother, the timeless storyteller and caregiver, continues weaving her tales, her laughter harmonising with that of Aunty Margie's, and the celestial melodies played by Aunty Suzie on her heavenly harp. Little Barnet Farm, forever a sanctuary of cherished memories, remains a haven where the spirits of loved ones persist in their dance, and the echoes of joy reverberate across the fields of eternity. The legacy of those holidays, eternally cherished, carries on in the boundless expanse of familial love and shared history.

The memories woven on Little Barnet will forever have a sacred place in my heart. They are the threads that have intricately shaped the very essence of who I am today - a person attuned to nature's wonders, one who cherishes the profound bonds of family above all else, and finds joy in life's simplest pleasures. When the weight of the loss of a beloved family member becomes too much to bear, I seek solace by closing my eyes, allowing the currents of memory to carry me back to Little Barnet, where the symphony of laughter, rustling leaves, and the comforting presence of family formed an eternal melody. In those hushed moments of reflection, the farmhouse becomes a poignant portal, unlocking the treasured adventures of my childhood, forever resonating with the echoes of laughter and the warmth of days gone by.

Life, in its tumultuous nature, often feels overwhelming, yet I find solace in holding onto the precious memories of my childhood days on Grandpa's farm. On a lazy, sleepy afternoon, with the cows contentedly grazing, I shared a few secrets with them as they merrily chewed on grass. These memories serve as my compass through the chaos, keeping me grounded and offering a timeless tribute to my grandparents, parents, aunts, uncles, cousins, and even the farm animals.

The heart of Little Barnet will forever be cherished, its tales of family, love, and happiness embedded in my soul. On this day of celebration and reflection, I express my gratitude for the light my mom ignited in my life. We used to share stories about the farm and reminisce about the memorable holidays spent with family. Oh, how I miss the farm - perhaps it's the innocence of life that I truly yearn for. However, this Christmas is tinged with a profound ache as I deeply miss my mom. Her absence is felt in an indescribable way.

It is my sincere hope that this story serves as a beacon of light for anyone faced with an empty chair or two at the family table today. God bless you all!

Remembering Uncle Billy Jacobs

 Remembering Uncle Billy Jacobs: The sun has almost set below the horizon, casting long shadows across the yard as the news of Uncle Billy's passing came through. My first thought was that he was a man larger than life. Uncle Billy, despite his short stature, was a giant in life. He loved saying all his names when introducing himself: "I am William Salter Milborrow Jacobs." He was a family man and full of pride. From the earliest memories of my childhood, I can recall his booming voice and unyielding opinions that would fill our home whenever he came to visit. A "speak your mind" man, I called him, and he lived up to that moniker with every fibre of his being. He once said that a human being that doesn’t love music doesn’t believe in God. He loved listening to “Down memory lane” presented by Jill Stewart on Radio Algoa. I think he even went to the extend of meeting her.

When Uncle Billy visited us, it was a signal for a night filled with the vibrant tunes of Elvis Presley and Roy Orbison. I, a devoted Elvis fan, and Uncle Billy, a staunch supporter of Orbison, would engage in passionate debates about who was the superior singer. He used to take us on drives in his beloved yellow Chevair playing his favourite singer’s music. He also loved the music of Little Richard and The Platters. When it came to Elvis Presley and Roy Orbison, we agreed to disagree on which singer could sing the highest and hold the longest note. These debates would stretch into the late hours of the night, echoing through the night as we defended our chosen musical icons.

There were times when Uncle Billy would leave our home in the early morning hours, his voice lingering in the air long after his departure. One unforgettable morning, the laughter turned to astonishment as he discovered that mischievous thieves had removed his yellow Chevy’s windscreen. We were shocked at first, but the absurdity of the situation soon had us all in stitches. It became a family joke, a testament to the undeniable bond between Uncle Billy and our family - a bond forged in our shared love for music.

"That's just proof of how much I love music," Uncle Billy would chuckle, shaking his head in disbelief as he rubbed his chin. And so, the missing windscreen became a symbol, a quirky testament to the lengths we would go for the melodies that fed our souls.

I cherished my role as the Saturday afternoon DJ during Uncle Billy's visits. The living room transformed into a dance floor, and the melodies of Rock 'n Roll filled the air. My mother and Uncle Billy were dance partners since their childhood days in Alexandria. They would dance with the uninhibited joy of youth, captivating the eyes of us, the wide-eyed children who gathered to witness their lively performances.

In those moments, Uncle Billy wasn't just my uncle; he was the "man in black," a real-life Roy Orbison, and I was a youthful Elvis Presley. My father liked to call him “Billy, the kid”. He commanded the room with an energy that transcended the physical constraints of his stature. As the records spun and the dance floor pulsed with life, Uncle Billy became a beacon of exuberance, a reminder that the spirit of rock and roll could defy the passage of time.

My mother passed on last year. I remember his eulogy for my mom. Now, as we face a world without Uncle Billy, his absence leaves a void that seems difficult to fill. He joins his dancing partner in Heaven. I can imagine my mom exclaiming “What, look who came through the gates just now, none other than Billy, my dancing partner!” The music will play on and the melodies will carry the bittersweet notes of loss. Yet, as I reflected on the days filled with laughter, debates, and impromptu dance parties, I couldn't help but smile. Uncle Billy may have left this world, but the echoes of his vibrant spirit would forever resonate in the tunes that bonded us, making every note a cherished memory of a man who lived life with the audacity of a rock and roll anthem. Rock on, Oom Billy!

My kinderboek 'Skitterdinge en Skoeloeloe'

Waaroor gaan my boek 'Skitterdinge en Skoeloeloe'? Zandi Kauapirura los alles wat sy ken in Windhoek en trek saam met haar ma na Sui...